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11 Ways to Make Your Next Showcase a Smash
Success
by
Lance Helgeson
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Sweet Pickle Music,
September 2002
Creating and Promoting a Showcase
Whether you
represent a label or individual artist, creating and promoting a showcase
of musical acts can help you book larger venues, build media exposure,
expand your fan base and jump-start merchandise sales.
But how do you do a showcase right—and cost-effectively? ANTJE, founder of
Chicago label, Sweet Pickle Music, has used showcases to support local
artists and Sweet Pickle compilations. The showcase strategy has garnered
performances at festivals, events and clubs in Chicago, Seattle and
Amsterdam. The events have also helped drive sales of Sweet Pickle
releases and merchandise for participating bands.
“Showcases take a lot of work and persistence, but I haven’t done one that
hasn’t led to bigger and better things,” Antje says. Below, she shares 11
tips from her proven-in-practice playbook to help you craft your own
showcase success story:
1) Pick a theme. The right theme
can make the difference between getting a call back from a booking agent,
says Antje. Her estimate: she’s twice as successful booking themed
showcases than standalone gigs for individual bands. For two recent cd
compilations and subsequent showcases, Sweet Pickle used “Big Fish Little
Fish: Emerging Women in Chicago Music” as the theme. It gives booking
agents and venues a ready-made promotional hook—and works well for
in-store performances. Tip: Be specific and narrow in your theme’s focus.
The tighter it is, the better your chance of getting attention, Antje
says.
2) Consider a beneficiary. If
you partner with a non-profit, you can use the showcases to raise money
and use the altruistic feature to negotiate favorable terms with potential
artists and venues. For the Big Fish showcases, door proceeds helped pay
production costs for the showcase, and profits from cds and merchandise
sales benefited women-focused charities in Chicago. Tip: Ask the charity
about playing their fund-raisers. It’s a ready-made source for you to put
on your showcase—and it gives your artists exposure to a completely new
set of people, Antje says.
3) Recruit artists who fit your theme.
Your basic showcase pitch: Performers benefit from exposure to new people,
the ability to play a larger venue than they could secure on their own
and, if your showcase benefits a charity, the ability to help out a good
cause. You should get a mix of performers—from larger name to mid-tier
acts to make for a varied and compelling evening of music. Make it clear:
Each artists’ participation means they’ll need to be prompt for sound
checks, take part in promotions and do their part to make the showcase a
success. (That expectation-setting will help you manage issues like the
protocol for on-site merchandise and cd sales for each act, Antje says.)
4) Consider showcase flow. In
addition to ensuring your showcase artists fit your theme, you must
remember how their performances will stack up one after another. Antje
used a three-act rotation (solo/duo, band, band) to cycle through 11
artists in a recent, four-hour showcase. “It would have been a snoozer to
run soloists back-to-back,” Antje says.
5) Shop for a venue that fits your
showcase. Beyond the usual sources, look to the
calendar/upcoming events sections of independent music sites (like
indie-music.com), newsletters and discussion groups to find potential
events and clubs to pitch your showcase. Do they offer showcase
opportunities? Would your theme and music resonate with the venue’s
customary audience (or bring in a new crowd)? Will they require a
guarantee to reserve the venue for a night? What’s your take of the door?
What ancillary benefits like exposure to producers and distributors or
industry media will a venue generate? How can you parlay your success into
more showcases and exposure? Tip: Don’t spend your time with clubs or
events with bush league Web sites and promotional materials, Antje says.
“If they can’t even promote themselves well, what will they do for you?”
6) Pitch it wide. Once you’ve
got a solid theme and inkling of willing artists, start your pitch
efforts. It’s a numbers game, Antje says. The greater the number of
booking agents and promoters you reach, the greater your chances of
finding one that says yes. And remember, “just because you pitch them
doesn’t mean they’ll do it.” Tip: Tell ‘em you’ve got a backline to show
you know how to make the venue’s evening easier.
7) Get promo help from showcase artists.
Remember the expectation-setting with artists? This is where you
get their help to make the showcase a success. But make it easy when you
ask them to do some work, Antje says. She gives all showcase performers
press kits with releases, customized to highlight each band’s
participation, to use in their promotional efforts with fans and media.
Two important don’ts: 1. Don’t promote the specific format of your
showcase—i.e., each band plays a 15-minute/three-song set. “You don’t want
to give anyone a reason not to show up,” Antje says. 2. Don’t abuse the
privilege of working with your showcase acts. Let them manage e-mail
distribution, and see if you might do a mailing to their offline lists.
Tip for labels: Pay attention to the artists who actively promote your
showcase—they’re the ones you want to consider working with again and
potentially signing.
8) Provide stage plots for each showcase
artist. The venue’s sound crew will love you for it, Antje
says. Plus, for showcases of five or more bands, it’s essential to have
the plot and a backline to ensure set changes of five to seven minutes (a
point you must also stress with each act!). Work with artists at least
three weeks in advance to know their stage set-up/requirements, discuss
the virtues of punctuality and convey their needs to the venue.
9) Consider a finale. It’s a
nice way for all showcase artists—or the lead individual from each act—to
share the stage, Antje says. The downside: A finale requires more
rehearsal time to coordinate band and vocal parts.
10) Promote your success. Go
back to the same e-mail, fax and mail lists you do for promotions (and
those you glean from the event), and share how well the showcase went.
Highlight the bright spots—attendance, money raised for charity,
exceptional moments, etc.—within three days to make sure your follow-up is
effective. “Take advantage of the good will while it’s fresh,” Antje says.
Tip: Tie the follow-up to an online photo album of the event to make your
outreach more compelling, she adds.
11) Keep in touch. Refine your
theme, develop a new showcase and pitch it to everyone you contacted your
first time around (plus new targets you find, of course). The key:
Highlighting the attendance and sales success of your first showcase, and
how it will benefit the club even more than the first time they rejected
your idea. “You need to be persistent, but I get calls to play from people
who have said “no” 15 times,” Antje says.
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